TOM LISHMAN
Sound Designer
Tom’s work in the West End has included Pete And Dud
Come Again, Al Murray,
Medea, Badiel & Skinner
Unplanned, I Love You You're Perfect Now
Change, Brief Lives, Twelve Angry
Men, The Gin Game, Taking
Sides, A Letter of Resignation,
Life Support, The Hothouse,
Relative Values, Dangerous
Corner, The Rivals, Vita and
Virginia, Hobson's Choice and
Rope.
Recent sound designs include: The Terrible Tudors
and The Vile Victorians, (Touring Tales);
Anansi Trades Places and M_ss_ng,
(Talawa Theatre Co); Treasure Island, (Birmingham
Stage Company), The Works - two radio plays
(Moving Theatre); The Ruthless Romans and
The Awful Egytians, (Touring Tales); The
Magic Flute and Gambler, (Grange Park
Opera).
Tom designed the sound for Ashes to Ashes (Royal
Court), I Was Looking at the Ceiling and Then I Saw the
Sky (Royal Opera House Linbury Studio), The
Caretaker and Ghosts (English Touring
Theatre), The Prayer, Othello,
Flyin' West, Unfinished Business
and Long Time No See (Talawa), A Tainted
Dawn and Bill Shakespeare's Italian Job
(Edinburgh Festival), The Man Next Door
(Hoipolloi), and South Pacific (Grange Park
Opera), as well as productions for repertory theatres including
Guildford, Windsor, Farnham, Bristol, Chester, Cheltenham and
Derby, and many national tours.
Tom has created almost 60 sound designs for Chichester Festival
Theatre. He produced soundscapes for the world DVD launches of two
Harry Potter films and for the pre-launch live
promotions for the recent Thunderbirds film.
Tom is currently working on The Farm for New
perspectives Theatre Company.
