MARK HOWLAND
Lighting Designer
Theatre
work was far from Mark's mind when he embarked on a degree at
Oxford University. However, after stumbling across the Oxford
Playhouse and having lit many student productions he was converted
and went on to study Stage Lighting at RADA.
Lighting designs include:
Pandora,
Arcola Theatre;
Pressure Drop,
for the Wellcome Collection;
Electra,
Young Vic;
Cider
With Rosie and
The Merchant of Venice,
Theatre Royal Bury St Edmunds;
The Kreutzer Sonata and
Vanya,
Gate Theatre;
Man of Mode and
The Last Days of Judas Iscariot, RADA;
Monsters,
Arcola Theatre;
Finkelstein's Castle,
SharpWire;
The Barber of Seville,
Armonico Consort;
The Home Place,
Lyric Belfast On Tour;
Oliver Twist and
La Ronde,
Love and Madness;
A Number,
Salisbury Playhouse;
Topless Mum,
Tricycle Theatre & Tobacco Factory;
Haunted,
London Arts Theatre;
On Religion,
Theatre Poche Brussels;
Lemon Elegy,
Jermyn Street Theatre;
The Pains of Youth,
Belgrade Theatre;
The Taming of the Shrew (lighting
with Ben Ormerod) Watermill Theatre & Old Vic;
To Hell With Love,
Jet Theatre;
Jeff Koons,
ATC;
Many A Slip Twixt, Cap and Dick,
Lilian Baylis Theatre;
Genetics For Blondes,
Blonde Science;
Bash / Laterday Plays,
True/Fiction; and
Problem Child,
Suspect Package.
Mark has also re-lit UK and international tours including
Peter and the Wolf,
In The Wings;
Blind Date,
Tete a Tete Opera;
Ubu The King,
Dundee Rep;
Jenufa,
English Touring Opera;
Twelfth Night and
The Winters Tale,
Watermill Theatre and
The Barber of Seville,
Opera 21.
Future productions include
The London Merchant,
Theatre Royal, Bury St Edmunds.
view Mark's
gallery
