Christopher trained at The Liverpool Institute for the Performing Arts in Theatre Performance Design and Technology where his passion for music and creating sound began. Since training, Chris has been working as a sound designer for theatre and concerts. He has a wealth of experience in amplified sound for events from a classical perspective, and for live reinforcement for theatre and concerts.
Theatre credits include: Summer Holiday (Octagon Theatre); Pieces of String (Mercury Theatre); Legally Blonde (UK tour); Spamalot (The Mercury Theatre Colchester and national tour); Snow White and the Seven Dwarfs and Peter Pan (Mercury Theatre); the European premiere of Yank! (Charing Cross Theatre & Hope Mill Theatre); Hair and Parade (Hope Mill Theatre, Manchester); Dick Whittington and Wind In The Willows, (Mercury Theatre); James and the Giant Peach (International tour); End of the Rainbow (UK tour); Little Red Riding Hood London (UK premiere); Come Into The Garden (BBC Philharmonic); Seussical The Musical (Arts Theatre & International tour); Avenue Q (UK tour & Lyric Hong Kong); Dick Whittington (Peacock Theatre & Manchester Opera House); Miracle on 34th St The Musical (UK Tour & Dubai production); Willemijn Verkaik’s Westend Concert; Spring Awakening (Kings Arms); Cinderella (Sadler's Wells/Ed Kings Theatre PWC); Christmas In NewYork (Palace Manchester and West End); The Phantom of the Opera (Phoenix productions); Bad Girls The Musical (Encore Productions); Bat Boy The Musical (Hub 49 Theatre Company); Elements (The Hammond Company UK Tour); Encore (The Hammond Company Theatre Clwyd); Six Women with Brain Death. UK Premier (Sennheiser studio Liverpool and Edinburgh Fringe).
Future productions include: We'll Live & Die In These Towns (Belgrade Theatre).
As a director of an audio rental company, Chris can produce tour-able design solutions, and is familiar with the most modern technology.
Further information regarding Christopher's work can be seen here - www.soundslikechris.com